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<channel>
	<title>kakia konstantinaki</title>
	<link>https://kakiakonstantinaki.com</link>
	<description>kakia konstantinaki</description>
	<pubDate>Fri, 05 Dec 2025 17:20:20 +0000</pubDate>
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		<title>Lex - Live  @ Thessaloniki 2025</title>
				
		<link>https://kakiakonstantinaki.com/Lex-Live-Thessaloniki-2025</link>

		<pubDate>Fri, 05 Dec 2025 17:20:20 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

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		<description>
*
	



Lex - Live @ Thessaloniki 2025
2025

Client: Lex


Creative Direction: NMRBroadcast Direction: Alexandros Voulgaris, George Talianis
Cameras: Koralia Dogani
Real-time visuals for Lex’s  concert in Thessaloniki, which attended 50k people. Real-time camera footage manipulated live by AI models trained specifically for this concert.




	











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	<item>
		<title>'Memory Loss Is My Coping Mechanism'</title>
				
		<link>https://kakiakonstantinaki.com/Memory-Loss-Is-My-Coping-Mechanism</link>

		<pubDate>Tue, 21 Nov 2023 12:58:20 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/Memory-Loss-Is-My-Coping-Mechanism</guid>

		<description>
*
	‘Memory Loss Is My Coping Mechanism’
2022


Remembering is said to be vital to our well-being. Forgetting is vital too. This audiovisual narrative is unravelled inside a constantly changing landscape of memories and thoughts. Through an intimate psychogeography, the artist explores the interconnection of themes like memory, time and the mind. Using the metaphor of love and having in mind Karen Barad’s text ‘TransMaterialities: Trans*/Matter/Realities and Queer Political Imaginings’, Konstantinaki looks into these themes through the lens of possibilities and quantum physics. Trapped between past and future, she strives to escape from haunting recollections and failing future scenarios, while the present remains constantly elusive. 

Music: Nalyssa Green






	 






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	<item>
		<title>H&#38;M x Mugler </title>
				
		<link>https://kakiakonstantinaki.com/H-M-x-Mugler</link>

		<pubDate>Fri, 17 Nov 2023 11:26:38 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/H-M-x-Mugler</guid>

		<description>
*
	



H&#38;amp;M x Mugler 
2023

Client: H&#38;amp;M


In May 2023 H&#38;amp;M commissioned me to create visuals for their H&#38;amp;M x Mugler launch event in Athens. I was asked to create two types of visuals. One short video that would be projected onto a 20x3 meters long wall. And another 6 looping square animations that would be playing simultanuesly on each side of a levitated LED cube. All the visuals are thought through the lens of the blue hour effect that was the main concept of the event, set by the H&#38;amp;M team. Also they are inspired by the elements of the collection itself and, particularly by its special materiality. &#38;nbsp;


	




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Full wall projection:




</description>
		
	</item>
		
		
	<item>
		<title>'What will survive of us is love'</title>
				
		<link>https://kakiakonstantinaki.com/What-will-survive-of-us-is-love</link>

		<pubDate>Mon, 08 Feb 2021 14:17:46 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/What-will-survive-of-us-is-love</guid>

		<description>
*
	‘What Will Survive Of Us Is Love’
2020
In a post-anthropocene era, AI and self-developing entities dwelling on a human-free earth are trying to make sense of their existence. Humans might have left the planet, but their legacy still resides on material and immaterial aspects of life on earth.&#38;nbsp;

Relics and reminiscences of humanity interact, fall in love and become creators in a high-resolution questionable simulation. Deriving from a non-anthropocentric point of view, this video piece focuses on offering a comforting perspective on the much discussed imminent destruction of the human race, seeking relief in the fact that the earth will well exist after humans, exactly as it did before them.Music: Nalyssa Green



Encounters film Festival, Official Selection 2021
Independent Filmakers Showcase - L.A Film Festival, Official Selection 2021
	 








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</description>
		
	</item>
		
		
	<item>
		<title>'Rabbit Hole'</title>
				
		<link>https://kakiakonstantinaki.com/Rabbit-Hole</link>

		<pubDate>Mon, 16 Dec 2024 11:16:53 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/Rabbit-Hole</guid>

		<description>
*
	‘Rabbit Hole’
2024

Curated by:
Theo Triantafyllidis, Socrates Stamatatos, Aram Bartholl




The video draws entirely on material from the artist’s own phone gallery. Screenshots, photographs, and videos transformed through image-to-video AI into moving image. The structure recalls the Surrealist practice of the exquisite corpse: each image triggering the next in a chain of associative transformations, no single frame fully aware of what came before or after. Central to the work is humour: not scripted, but hidden within the random generative behaviour of AI models, surfacing in unexpected conjunctions and weird transitions, and the system’s particular gift for the unintended. The approach was ad hoc. No storyboard, no curatorial logic applied to the source material, only a personal archive handed over to a system indifferent to a specific narrative. 



Music: Nalyssa Green






	 








	




</description>
		
	</item>
		
		
	<item>
		<title>Unmelted places</title>
				
		<link>https://kakiakonstantinaki.com/Unmelted-places</link>

		<pubDate>Wed, 22 Nov 2023 10:18:39 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/Unmelted-places</guid>

		<description>
*
	‘Unmelted Places’
2023
Client: Dalbin




‘Unmelted Places’ is part of a curated selection of videos being displayed on Dalbin Table. Inspired by the Bauhaus motto "A New Unity, Between Art And Technology", Dalbin Table is a digital art display that also functions as a table.&#38;nbsp;

Curated by Brawhaus.










	 







	



    




</description>
		
	</item>
		
		
	<item>
		<title>'Memory Gardens'</title>
				
		<link>https://kakiakonstantinaki.com/Memory-Gardens</link>

		<pubDate>Wed, 22 Nov 2023 13:16:29 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/Memory-Gardens</guid>

		<description>
*
	



‘Memory Gardens’
2023






Memory Gardens is a series of textures created to be printed on fabrics. All three fabrics depict the passing of time experienced through the transformation of plants, objects and other entities that all together synthesize a memory landscape that changes through time. One of the textures went on to become a series of clothing items: a kimono, a dress and a scarf.

	





















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	<item>
		<title>'Learning From You Makes Me Want To Unlearn Everything'</title>
				
		<link>https://kakiakonstantinaki.com/Learning-From-You-Makes-Me-Want-To-Unlearn-Everything</link>

		<pubDate>Wed, 22 Nov 2023 09:55:03 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/Learning-From-You-Makes-Me-Want-To-Unlearn-Everything</guid>

		<description>
*
	'Learning From You Makes Me Want To Unlearn Everything'
2021




A dialogue between a mother and a child.

A dialogue between two humans.
A dialogue between a human and a non-human.

A dialogue between entities.
Someone trains and someone is being trained.
We are who we are because of someone else. 

Music: Nalyssa Green






	 






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</description>
		
	</item>
		
		
	<item>
		<title>'DayDreaming Project'</title>
				
		<link>https://kakiakonstantinaki.com/DayDreaming-Project</link>

		<pubDate>Tue, 24 May 2016 13:35:56 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/DayDreaming-Project</guid>

		<description>

*
	










‘Daydreaming Project’
Ongoing

The Daydreaming project is a study on&#38;nbsp;making.&#38;nbsp;With thinking being the overall driving force in my work throughout the years, in this project I decided to base my whole approach on making and allow some space for intuition.


Daydreaming is a concept borrowed from the psychology theory,&#38;nbsp;Prosseswork, where it is widely used to set the person into a state of dreaming while they are awake, in order to understand hidden aspects of themselves. During the course of daydreaming, the person starts off with a name, or a face, or a feeling and from there they depart to a journey of unraveling their non-linear and seemingly irrational thoughts. This process is said to offer to the person an intuitive insight into their selves, that otherwise they would be unable to gain by operating on their usual conscious level. Daydreaming allows for a different level of consciousness and awareness of ourselves. 







	

The Daydreaming project is based on the above principles and it is materialised within the 3D environment,&#38;nbsp; blending 3D oddities with digital photography. Most commonly, starting off from a photograph, I set myself in a non-conscious thinking mode and I start making, employing almost solely my intuition. A process quite similar to the automatic writing and ‘the stream of consciousness’, but this time within the&#38;nbsp;digital media contex.&#38;nbsp;
Daydreaming is an ongoing long-term project, which works as a space for experimentation and testing ideas.

 













	

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</description>
		
	</item>
		
		
	<item>
		<title>Athens Digital Arts Festival</title>
				
		<link>https://kakiakonstantinaki.com/Athens-Digital-Arts-Festival</link>

		<pubDate>Fri, 08 Jun 2018 14:57:26 +0000</pubDate>

		<dc:creator>kakia konstantinaki</dc:creator>

		<guid isPermaLink="true">https://kakiakonstantinaki.com/Athens-Digital-Arts-Festival</guid>

		<description>
*
	Athens Digital Arts Festival
2018
Client:&#38;nbsp;

Athens Digital Arts Festival


This concept uses the notion of the singularity’s ambiguity to create intriguing abstract visuals which have the power to entice potential audiences. A key element is used to introduce the spectator to the idea of singularity and to set the overarching mood for the Athens Digital Arts Festival 2018.&#38;nbsp;Singularity can be, interpreted in a multitude of ways. The term is used in physics, mathematics and futurology to describe a range of scenarios from “the merger of human and machine”, “artificial intelligence becoming so real, that we will not be able to distinguish it from humans”, “the end of the world” to “eternal life”. And this is just scratching the surface.To bring this idea to the widest possible audience, we introduced “the object” as a key element in the visual identity. It ties the concept together and provides continuity. “The object” is an abstract shape that is just hovering, looming, approaching, ever present – like the idea of singularity. 
 



	3D Artists &#38;amp; Motion Designers: Kakia Konstantinaki, Tina Touli
Graphic Design: Jakob Ritt, Tina Touli, Yunxin Stella Wang
Sound Design: Nalysa Green


It captures and represents essential qualities of the singularity; It is abstract and hard to define, be it through words or through images. It is an idea that is present, but can not be pin-pointed exactly. We seem to be sure that it is coming, but we are unsure what it holds for us.
The reflective surface of “the object” shows a mirror image of the Athenian cityscape it is placed in, which is distorted according to its shape. This object is placed in a setting that is familiar to the audience. This way, a juxtaposition of something that is completely grounded in reality and something that is categorically philosophical is created.By placing “the object” in a familiar surrounding we are beginning to shape a relationship between the spectator and the idea of singularity. This relationship will be varying from person to person. While one might be completely new to the idea, and the other might have already studied the subject, “the object” leaves room for each individual to shape their own interpretation of what singularity can be, either something good or bad. 


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